Every artefact to the same standard

Photographer turned Archaeologist.Making images of artefacts photographed in detail and at scale.

Winged figure from Uppåkra

Series

At True Scale

Different artefacts from different places, photographed under the same light, at the same angle, against the same background — and reproduced with the scale built into the metadata. No need for intrusive physical scales clouding the object.

Roman ferrule
Blue raw glass
Bronze cross
Piece of glass
Glass bead
Rivet
Amber bead
Orange glass bead
Blue bead

The standard

Three things held constant, object after object, museum after museum.

01

One light source.

02

One angle to that light.

03

One white ground.

The method, the standard and the open archive live on photarch.com →

Live from the archive

The scale lives in the data, not in the picture.

Zoom in as far as you like — the scale bar stays true, because the image carries its own millimetres per pixel. Switch it off and the object is left alone, with no ruler propped up beside it.

Glass bead from Sandby Borg, Kalmar County Museum. Loaded live from photarch.com.

Highlights

Oct 2026
Digikult, UppsalaPresentation of the standard
Upcoming
8 Aug 2025
Article in The European ArchaeologistPublished description of the standard
Publication
17 Apr 2024
2and3D, Rijksmuseum, AmsterdamPresenting the method
Conference
2022
GFX Challenge Grant Award, FujifilmAwarded for the development of the PHOTARCH standard
Award
2014
Developed during the excavation of Sandby Borgat Kalmar County Museum
Fieldwork

Teaching

Bringing the standard to your collection

I teach the method directly — to museum photographers, documentation officers and finds specialists who need their images to hold up ten years from now.

01

Lecture

Why comparability fails in artefact photography, what a standard changes for a collection, and what adopting one actually costs.

Museums · Universities · Conferences

02

Workshop

One or two days on site, with your objects, your room and your staff. We photograph your collection together and leave a repeatable setup behind.

On site · 1–2 days

03

One to one

Sixty minutes over video for a single photographer or curator. Bring your images and your room; we work through what is holding them back.

Video · 60 minutes

Request a date

About

I photograph archaeological objects. In 2014, during the excavation of Sandby Borg at Kalmar County Museum, I started working out a way to do it that would give the same result every time — the same light, the same angle, the same ground — so that images made years apart, in different museums, could still be compared.

That method is PHOTARCH. It has since been awarded the GFX Challenge Grant and published in The European Archaeologist. The archive it produces is open.

The method and the archive live on photarch.com →
Daniel Lindskog — PHOTARCH

Instruments · Autumn 2026

A standard is only as good as the instruments that hold it.

Two of them arrive this autumn. Both live on photarch.com; they are listed here because they are part of the same body of work.

PHOTARCH Desktop

A catalogue that measures. Import, calibrate, annotate and describe artefact images, then export records in the formats museum systems already accept.

photarch.com →

PHOTARCH Board

A calibrated capture surface. The markers let the software derive true millimetre scale across the whole field and verify that a shot meets the standard before anything is measured.

photarch.com/board →

Featured in

BBC
The New York Times
National Geographic
National Geographic History
The Guardian
The Times
Fox News
Daily Mail
Science News
Science Channel
World Archaeology
Archaeology Magazine
Antiquity
GEO